The Heat of Summer

The heat of summer setting into the day

Of Phoenix heat

Bringing out the dust

Of the summer rush

With a rush of hot air on your face

Taken in stride

Or taken in place

The heat of the summer sets in

For the time ahead

A Great One

Lines straight enough to see

Down the middle of the fairway

Beyond the sand

There is a man standing

Waiting

The sun is setting over the Western skies

In the moments like these

You can’t tell to celebrate

Or cry

As I approached the figure

It became clear it was my father

Walking down the path

Towards me

I walked to the back of the green

And we embraced in the fall light

And fallen leaves

He told me the good news

Of a plan for a future I had wanted

We cried

As I write this story now

I have been struck down

As my father died

But I will remember that fairway

The setting sun

And I was lucky enough

That my father

Was truly a great one

Take the Fairway

Lining uncertainty

Followed by the lines of trees

Greens and fairways

Swing at the golf ball

Yet it lies

A mile away

From the starting house

Over the winds

And through the maple

Next to the pine tree

Lies the decent of dreams

How to take one mistake and limit

When temptation is around the corner

Sometimes we have to adjust accordingly

And be smart

About what choices we make

At the Intersection

Awaiting the light

Of decision made in time

Dirt roads leading me to my new path

Uncertain but certainly going

When one chapter ends a new begins

Yet it can be of no consequence

To see

What was left behind

So at the intersection of time and opportunity

I await what life will bring me

Carrying the weight of the past

And the loved ones who go before

But awaiting as well a new future

Bright to behold

Take Me To The Turn

Embrace the challenge

Of golf and it’s bitter edges

Take me to the turn

And start again

From the summer grass

Cut in the early hours

To the tee box setup in the light

Turn the day into a light of hope

Take on the joy of the game

Everyday

Price of Words

What we say

Freedom of the language

Is freedom of the head

The heart is the piercing

Sound that beats

In the depths of word

So I take the reminder

Of the words that we have

Freedom to speak

So undertake the moment

To say what you need to

Dogleg Left

To the dogleg left

On the side of the hill

With a pond easy sitting

At the edge of the chance

To take up the summer light

In the setting fit for a new eye

I see the golf course awake today

Sitting up in the dew to say again

How is the morning set in a glisten

The birds call out to those who will listen

And see the light of the day set upon their skin

The Morning Dew

The morning dew

Sets easy upon the summer grass

Fresh cut

With the chickens calling in the distance

The leafs bursting through with summer life

To take upon the golf course

Just after night

Refreshed the day

As a clean show will make

The summer sun glisten

Over the ponds of Elbel’s view

On the west end of South Bend

The golf course sets easy

Upon the land that lays simple and true

Father Gone Away

To a father gone away

Where do the memories go

When you are laid to rest

Beyond the vail of life

On earth

What is made of the thoughts to call

To say I love you

What happens to these feelings

With the last has taken all

A father gone away

In the depths of memory now

To the hole that remains

Ever present

Never to forget

Only to heal to know

When the heart must go forward

In love and solitude

With a father gone away

Podcast Episode: The Course Where I Grew Up

Pip: There’s a golf course on Miami Street where the dandelions know something about growing up. Nathaniel Paul Hoff put it into a poem, and here we are.

Mara: Today we’re looking at a piece that uses a place — a real, named municipal golf course — to talk about how games, fathers, and greens teach us something that has nothing to do with scorecards.

Pip: Let’s start with the course itself.

The Course Where I Grew Up

Mara: The poem opens in a specific geography — Miami Street, an old bookstore nearby, a city golf course called Erskine — and the specificity is doing real work before the bigger claim arrives.

Pip: And the bigger claim lands plainly. The poem reads: “I learned to grow up on these hills / These greens / Taught me how to be a man / To be polite.”

Mara: So the upshot is that the golf course is not backdrop — it’s curriculum. Politeness, presence, the shape of a person: all of it traced back to a place most people would drive past without a second look.

Pip: The poem earns that claim by being honest about the game first. “The idea so simple yet execution endlessly imperfect” — that’s golf, yes, but it’s also a pretty clean description of trying to be a decent human being.

Mara: What the poem does well is hold two timescales at once. There’s the seasonal — dandelion haze slipping into summer heat — and then there’s the generational. Time on the course is described as “on repeat,” but the memories kept from discarded scorecards are anything but disposable.

Pip: The father is present without being named as a lesson. He’s just there, and the speaker learned something by being alongside him. That restraint is doing a lot.

Mara: The closing lines pull the whole thing into focus: “a game can teach us / A lot more than how to swing / But rather how to live and be present / In a world that just keeps falling away.” The falling away is what gives the presence its weight.

Pip: A poem about golf that turns out to be about attention. That’s the move.


Mara: Place as teacher, presence as practice — it’s a quiet argument, but it holds.

Pip: Next time, we’ll see what other ordinary ground the site finds worth standing on.